Pedro Almodovar

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Pedro Almodovar's Biography

Pedro Almodóvar Caballero (Spanish pronunciation: [ˈpeðɾo almoˈðoβar kaβaˈʎeɾo]; born 25 September 1949) is a Spanish film director, screenwriter and producer.

Almodóvar is arguably the most successful and internationally known Spanish filmmaker of his generation. His films, marked by complex narratives, employ the codes of melodrama and use elements of pop culture, popular songs, irreverent humor, strong colors, glossy décor and LGBT themes. Desire, passion, family and identity are among Almodóvar’s most prevalent themes. His films enjoy a worldwide following and he has become a major figure on the stage of world cinema.

He founded Spanish film production company El Deseo S.A. with his younger brother Agustín Almodóvar who has produced almost all of Pedro’s films. He was elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 2001.

 Early life

Pedro Almodóvar Caballero was born in Calzada de Calatrava, Spain, a rural small town of Ciudad Real, a province of Castile-La Mancha in the administrative district of Almagro. La Mancha is the windswept region of flat lands made famous by Don Quijote. He was born as one of four children (two boys, two girls) in a large and impoverished family of peasant stock. His father, Antonio Almodóvar, who could barely read or write, worked most of his life hauling barrels of wine by mule. Almodóvar's mother, Francisca Caballero, turned her son into a part time teacher of literacy in the village and also a letter reader and transcriber for the neighbors. When Pedro was eight years old, the family sent him to study at a religious boarding school in the city of Cáceres, Extremadura, in the west of the country, with the hope that he might someday become a priest. His family eventually joined him in Cáceres, where his father opened a gas station and his mother opened a bodega where she sold her own wine.

While Calzada did not have a cinema, the streets where he lived in Cáceres contained not only the school, but also a movie theater. “Cinema became my real education, much more than the one I received from the priest,” he said later in an interview.

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Almodóvar was influenced by such directors as Luis Buñuel, Rainer Werner Fassbinder, Alfred Hitchcock, John Waters, Ingmar Bergman, Edgar Neville, Federico Fellini, George Cukor, Luis García Berlanga and neorealist Marco Ferreri.

Against his parents' wishes, Pedro Almodóvar moved to Madrid in 1967. His goal was to be a film director, but he lacked the economic means to do it and besides, Franco had just closed the National School of Cinema so he would be completely self-taught. To support himself, Almodóvar worked a number of odd jobs, including a stint selling used items in the famous Madrid flea market El Rastro. He eventually found full-time employment with Spain's national phone company, Telefónica, where he worked for twelve years as an administrative assistant. Since he worked only until three in the afternoon, he had the rest of the day to pursue his own interests.

 Beginnings

In the early seventies, Almodóvar grew interested in experimental cinema and theatre. He collaborated with the vanguard theatrical group, Los Goliardos, where he played his first professional roles and met Carmen Maura. He was also writing comics and contributing articles and stories to a number of counterculture magazines, such as Star, Víbora and Vibraciones.

Madrid’s flourishing alternative cultural scene became the perfect scenario for Almodóvar's social talents. He was a crucial figure in La Movida Madrileña (Madriliene Movement), a cultural renaissance that followed the fall of the Franco regime. Alongside Fabio McNamara, Almodóvar sang in a glam rock parody duo. He published a novella, Fuego en las entrañas (Fire in the Guts). Writing under the pseudonym "Patty Diphusa", he penned various articles for major newspapers and magazines, such as El País, Diario 16 and La Luna. He kept writing stories that were eventually published in a compilation volume, El sueño de la razón (The Dream of Reason).

 Short films

Almodóvar bought his first camera, a Super-8, with his first paycheck from Telefonica when he was 22 years old, and began to make hand-held short films. Around 1974, he made his first short film, and by the end of the 1970s they were shown in Madrid's night circuit and in Barcelona. These shorts had overtly sexual narratives and no soundtrack: Dos putas, o, Historia de amor que termina en boda (1974) (Two Whores, or, A Love Story that Ends in Marriage); La caída de Sodoma (1975) (The Fall of Sodom); Homenaje (1976) (Homage); La estrella (1977) (The Star) 1977 Sexo Va: Sexo viene (Sex Comes and Goes) (Super-8); Complementos (shorts) 1978; (16mm).

“I showed them in bars, at parties… I could not add a soundtrack because it was very difficult. The magnetic strip was very poor, very thin. I remember that I became very famous in Madrid because, as the films had no sound, I took a cassette with music while I personally did the voices of all the characters, songs and dialogues. After four years of working with shorts in Super-8 format, in 1978 Almodóvar made his first Super-8, full-length film: Folle, folle, fólleme, Tim (1978) (Fuck Me, Fuck Me, Fuck Me, Tim), a magazine style melodrama. In addition, he made his first 16 mm short, Salome. This was his first contact with the professional world of cinema. The film's stars, Carmen Maura and Felix Rotaeta, encouraged him to make his first feature film in 16 mm and helped him raise the money to finance what would be Pepi, Luci, Bom y otras chicas del montón.

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